Grace Hides

Heavenly Script is a modern calligraphic font with a very cool handwriting style, this font is perfect for your various design needs such as branding, wedding invitations, magazines, mugs, business cards, posters, and more.

Heavenly Script is equipped with glyphs and alternative characters, allowing you to have many different character choices when starting your design.

To use a variety of glyphs, you need a program that supports OpenType features like Adobe Photoshop Cs / Adobe Photoshop CC, Adobe Illustrator CS / Adobe Illustrator CC, Adobe Indesign and Corel Draw and many more programs that support OpenType.

If you do not have a program that supports OpenType, you can access all alternative flying machines using Font Book (Mac) or Character Map (Windows)

If you have any question, don't hesitate to contact me by email [email protected] Thanks and happy designing :-)

Designed by Alberto Romanos, Bw Seido Round is a semi condensed font family with rounded corners striking a gentle balance between minimal strict geometry and typographic refinement, conveying a subtle industrial yet friendly feel. It consist of 12 styles (6 uprights + 6 matching obliques) supporting all European Latin languages.

The design of Bw Seido Round started heavily Influenced by the systematic principles behind the original German DIN 1451, with its clean, minimal shapes and rigid geometric feel: Both the lowercase and the uppercase have their own horizontal waistline running through all the characters of the font, reinforcing the engineered feel and focusing the rhythm on its vertical pace.

Beyond the very obvious rounded corners and terminals, which are instantly softening the feel and positioning this font on the friendly side, Bw Seido Round presents a series of subtle typographic adjustments elevating the design while staying invisible: The monoline look is achieved seamlessly thanks to the subtle modulation and the corrections at the joins; the tall x-height married with the open counters and the unambiguous shapes make it a very legible font,... All these ingredients play a balancing game with the crude geometry by adding the right doses of warmth into the industrial feel.

The resulting combination is a very functional font family suited for carrying the weight of a contemporary brand’s visual identity. Its tabular figures feature includes currency symbols and punctuation, making it a great candidate for information design and annual reports. Bw Seido Round is equally comfortable in print as it is in digital environments, thanks to the additional symbols and arrows included matching each weight. Other OpenType features included on the Bw Seido Round font family are stylistic alternates, slashed zero, fractions, case sensitive and localized forms.

Jano Sans™ Pro is a neo humanist sans serif that was initially created to be used as a text and display typeface in brand communication. The result is a type family with a relatable character and a collaborative profile. Designed with elegant forms, low contrast and a geometric feel, Jano Sans™ Pro is a highly legible typeface suited for any text application and typographic reproduction.

Jano Sans™ Pro has 18 styles and its a workhorse type system. It covers 290+ languages, including Extended Latin, Cyrillic and Greek writing systems. With over 1800 glyphs per style, its Opentype features include alternative shapes, small caps, standard and discretionary ligatures, localized forms in Latin and Cyrillic, case sensitive forms, numerators and denominators, proportional and tabular figures, slashed zero, fractions and more.

The techie personality and the huge set of features and glyphs makes Jano Sans™ Pro an excellent choice for a wide range of applications, such as branding, editorial, web and broadcast.

Point Blair is a script typeface that mimics natural handwriting and signature styles. Inspired by the scribblings found in travel journals from early explorers, this script font focuses on a free flow feel, with real brush pen texture and variance built into each character. To keep things looking natural, every character a-z and A-Z has an alternate available so that you can add variance to your text.

Ballinger began life as a single-weight proprietary typeface called baasic, designed for Dublin-based design office aad. baasic was intended as a plain, hardworking grotesque: a simple tool for clear communication. We’ve developed it into a fully-featured eight-weight family with matching italics. Sources include early 20th century jobbing sanses like Morris Benton’s News Gothic and Candia, a 70s-era typewriter face Josef Müller-Brockmann designed for Olivetti, which had unusually deep junctures that added energy to letters like m and n.

The family takes its name from Raymond A. Ballinger, the great mid-century American designer, author of ‘Lettering Art in Modern Use,’ and champion of elegance and readability. Ballinger has large counters and a generous x-height. Letters like a, e, and s open out gradually as they move from Thin to Black to maintain ample apertures, even in the darkest weights. Semi-oldstyle figures are available, as well as case-sensitive punctuation and delimiters. Italics incorporate subtle ogee curves to lend warmth and energy to the page or screen.