Fractif typeface a modern contemporary Grotesk, Fractif Typeface reveals a strong constructivist identity with classic type character proportions. Inspired by Mid-century modern geometric architecture develops radical shapes through many distinctive letters with clear modernist roots and a strongly contemporary finish, It works from footnote to poster size. Fractif typeface family consists of 7 weight plus matching italics, Designed with powerful OpenType features such as alternate characters, Standard ligatures, discretionary ligature, case-sensitive forms, fractions, super- and subscript characters. also included with various arrows and symbols.
Introducing our foundry with the new Sans Serif typeface, Kommon™Grotesk, a super family with 96 styles. Different width from Extended to Compressed, variety of weights from Thin to Super, made Kommon™Grotesk suitable for multiple usage. The typeface was crafted till clean and simple. It has high ligibility with modern and clear look to be use as text or display font. Kommon™Grotesk is effective displaying on many medias, both print and on screen.
Malden Sans is a mischievous grotesque sans serif with charming details that gives designers a solid typographic voice. It was created by Michele Patanè with regular and condensed widths, as a utilitarian typeface family for print and digital environments.
It was originally designed as part of a type system for cinema magazines, and embodies the devil-may care attitude of the silver screen. Designer Michele Patanè looked back to an earlier era of typography to create the typeface, embracing unusual details, rather than ironing them out.
“There is a very naive way of using typography in the 30s and 40s, something not as clean as how it’s used in the late 50s and 60s when everything passed through a rationalisation of the typographic palette,” he explains. “In film magazines you can still see a bit of roughness, and I like that.”
This is a design that’s desperate to be used in editorial environments, and has been created to stand up to lower quality paper. It would be equally at home on posters, packaging, and even in digital environments where designers are looking for something more expressive than another geometric sans serif.
Malden Sans includes a Normal and Condensed range, with 7 weights in the normal and 6 in the Condensed, both including italics.
On the basis of the classical form, Shapiro meets all the requirements that are placed on a good font, such as good readability, a sympathetic overall impression, as well as a balanced gray effect. Shapiro boasts horizontal and vertical strokes that are nearly identical in width, giving the family a compact, modern look and feel. This 34-font family sets itself apart from the crowd with: + A very good, clean and timeless design + From very slight to very strong + Carefully spaced and kerned + Separate cuts for longer passages of text + Well-designed diacritical marks + Simple font licensing +++ Try the brand’s freebies +++ The only thing you can do now is to license the complete family and tell everyone about it.
Abakadabra is a headline typeface inspired by sans-serifs of the first half of the twentieth century, as well as by the tricks of fakirs, illusionists and charmers. The gently playful manner of the font can be exaggerated to a more pretentious and grimacing one, or can alternatively be calmed to a neutral appearance. Abrakadabra supports most European languages and has thematic emoji symbols. The text can be customized by using stylistic sets or the Swashes and the Stylistic Alternates buttons in the OpenType panel.
Handcrafted signs line the stoned walkways of old Italy. Some a century old, these often forgotten works of unknown artists remain etched across cities and villages. But now, they make their inviting impressions once again as the inspiration for insigne design’s Gineso Soft typeface.
Gineso Soft absorbs the personality of northern Italian posters, headlines and logotypes, providing a type especially nice for signs and titling with its condensed qualities. The font contains matching italics for the the eight weights and three widths. We’ve also included small features along with fractions and superior / inferior characters to broaden your options. Even more, Gineso Soft is ready for all applications and features a large character set for the languages and literature of Europe.
So add a soft touch the next time you’re in a tight spot. Add Gineso Soft and make your project a work to be remembered.
Ballinger began life as a single-weight proprietary typeface called baasic, designed for Dublin-based design office aad. baasic was intended as a plain, hardworking grotesque: a simple tool for clear communication. We’ve developed it into a fully-featured eight-weight family with matching italics. Sources include early 20th century jobbing sanses like Morris Benton’s News Gothic and Candia, a 70s-era typewriter face Josef Müller-Brockmann designed for Olivetti, which had unusually deep junctures that added energy to letters like m and n.
The family takes its name from Raymond A. Ballinger, the great mid-century American designer, author of ‘Lettering Art in Modern Use,’ and champion of elegance and readability. Ballinger has large counters and a generous x-height. Letters like a, e, and s open out gradually as they move from Thin to Black to maintain ample apertures, even in the darkest weights. Semi-oldstyle figures are available, as well as case-sensitive punctuation and delimiters. Italics incorporate subtle ogee curves to lend warmth and energy to the page or screen.
Neubau is a condensed geometric display typeface, designed in 2009. The inspiration for this face came from Joost Schmidt lowercase letters developed during 1925-28 in Bauhaus Dessau. Schmidt was one of the proponents of New Typography – a movement advocating the use of only lowercase letters which were constructed strictly geometrically using only ruler and compass.
Neubau Pro is the new edition of Neubau fonts. The new typeface is an upgraded version of an old fonts (2009), with careful refinements to glyph shapes, and the extension of glyph amounts which enabled support of more Latin languages as well as Greek and Cyrillic languages.
Neubau Pro is released in six styles with small caps, and true italics, and contains OpenType features. This typeface can be used for editorials and print designs.
Neufile Grotesk font family has its roots in one of the earliest sans-serif designs commercially available, highly legible sans serif typeface very well suited for any display and text use. Neufile can be effortlessly applied to a wide range of messages and media, from advertising to book design. Its 24 fonts include Extended style and Italic satisfy the need for flexibility, creating harmonious variations of texture and emphasis.
This OpenType font family offers also support for Multilingual (latin based). Standard Ligatures fi ff ft fl, and discretionary ligature fy Fi Fl tu ffi fz fj ty www and more, automatic fractions, proportional/tabular lining, old-style figures, circle numbers, numerators, denominators, superiors, and inferiors, Arrow also has a ‘case’ feature for case sensitive forms.