Grace Hides

Jozef is a serif typeface family with modern character and a firm voice. It is equally suited to setting text on screen and in print.

With eight weights, matching italics, and decorative capitals it offers a plentiful typographic range, and provides language support for extended latin. The sharp serifs equip this typeface with a strong tone and clear legibility, while the italics offer a softer but equally solid appearance. Opentype features, number sets and a wide range of typographic characters make this a resourceful text typeface.

Jozef was designed by Johannes Neumeier and published through Underscore in 2018.

Quida is a display family with three styles; Regular, Italic and script. The personality of the design comes from concave vertical shapes, which are consistent through all styles. This makes them work together seamlessly.

Quida Script is packed with opentype goodness such as swash caps, stylistic alternates, ligatures and ending forms for lowercase letters. All styles have an extended language support for most European languages.

Radcliffe graphic project at Behance

Radcliffe is a typeface family designed in 2018 by Cosimo Lorenzo Pancini and Andrea Tartarelli, as a reinvention of traditional Clarendon design in search of a “contemporary classic” typeface look. Tailor made for elegance, Radcliffe features the strong bracketed serifs, vertical stress, and little contrast of Clarendon, refined with a humanist touch and a calligraphic approach, obvious in the italics.

Primarily intended as a display typeface with a wide range of finely-tuned weights for editorial and logo-design uses, Radcliffe has been complemented by Radcliffe Text, developed in five weights with a taller x-height and slightly condensed proportions, allowing for maximum readability in long texts on the web and at small size.

The family also includes the two funky weights of Radcliffe Casual, designed with a slight reverse contrast aesthetics, perfect for your Country Club activities. All Radcliffe fonts include full open type features with stylistic alternates, discretionary ligatures, positional number forms, swash forms (in italics) and full language coverage for +70 languages using latin and cyrillic alphabets.

Monroe was designed in 2010, but in 2013 the font’s designer stopped selling it. Eight years after its initial release, Monroe returns in a new and upgraded version — with improved drawing and spacing — which includes more weights as well as alternate glyphs.

Each font style has 819 glyphs and the whole set contains 394 characters which support 207 Latin-based languages. Monroe also includes 5 stylistic sets that offer a wide range of signs, swashes and discretionary ligatures, all specially made to add esthetic value to your designs. The family comes in 5 weights: Thin, Ultra Light, Light, Regular and Bold.

Monroe was designed by Daniel Hernández with the collaboration of Alfonso García.