Grace Hides

Isidora Soft is a new version of Isidora —a 2016 MyFonts Bestseller.

Its rounded, soft terminals give it a friendly and expressive look, and its modern and contemporary style, small x-height and classic proportions make it an excellent choice for headlines, logotypes, branding, books, magazines, motion graphics, and use on web and Tv.

Isidora Soft consists of two 7-weight versions: one regular and one alternative which is more expressive and playful compared to its counterpart. Both versions include matching italics, resulting in a total of 28 styles. Isidora Soft contains a set of 452 characters that support over 200 Latin-based languages.

Always think before you speak! Thats the whole idea about Omtanke! A crunchy and grungy font by Jakob Fischer aka pizzadude!
Fancy swashes and ligatures for double letters included!

Ulm Grotesk is a family of geometric-style fonts for use at display sizes. Its design is so simplified that it feels quite futuristic. There are five weights on offer, ranging from Light to Extra Bold. The characters have been drawn with optically-monolinear strokes. The capital letters contain quite a lot of character; some of them are markant, too. The ‘J’, for instance, is very wide. The fonts’ default ‘Q’ separates the ‘O’ stroke from the tail visibly; a more traditional-looking ‘Q’ is available as an alternate. The forms of the capital ‘A’, ‘V’, ‘W’, and ‘Y’ are reminiscent of the ‘worm logo’ that was used by NASA in the 1970s and ’80s. The lowercase ‘m’, ‘n’, ‘r’, and ‘u’ are spurless. The high-modernist geometric style of the ‘a’, ‘b’, and ‘c’ call Paul Rand’s iconic ABC logo to mind. The tail of the ‘j’ is a simple, vertical stroke. The ‘g’ and the ‘y’ each have wide, sweeping tails – although, there is an alternate ‘y’ available, with a straight-tailed descender. The fonts’ numerals are the same height as the capital letters. Ulm Grotesk is named after the German city of Ulm. In the 1950’s and ’60s, a famous West German design school operated there. The Ulm School of Design was hailed as a successor to the Bauhaus, and it set important impulses for international graphic and product design. These Ulm aftershocks were felt for the next several decades. The fonts are the work of the Paris-based type designer Ilya Naumoff.