Marteau is a strong, clean, and modern condensed geometric sans-serif. It’s purpose lies in branding, advertising, packaging, and all other design that calls for a big impact. It is the display typeface for all things contemporary, from rustic coffee shops to colorful web design – the versatility of Marteau allows for prefect integration into a wide variety of aesthetics.
DINosaur is the typographical mise en scène of a calligraphic standard for technical writing, found in a 1967 manual. Although its base is a regular grid and its main reference is the DIN norm, it is full of a multitude of small original features. The microtypographic details refer to the tools originally used for its reproduction.
Geria is a hand drawn sans serif in four weights. Despite being rough and organic, Geria retains the basic structure and shape of a readable sans serif. The result is a functional typographic tool with a lot of personality.
The family comes in four carefully balanced weights that offer a lot of contrast from the delicate Light to the punchy Heavy weight. Geria is perfect for display use in branding, packaging, editorial design, posters and advertising.
Config Rounded is a condensed geometric sans serif with rounded corners. A sibling to Config, this typeface was influenced by geometric sans serifs with circular forms on the tops and bottoms of characters, but the proportions have been condensed by incorporating straight sides for a design that is sturdy and space-saving. It’s efficient yet friendly. Use Config Rounded for a subtle softness that still looks modern and strong. Or use Config for a sharper appearance.
The neutral design of this typeface with subtle details makes it functional for type setting in small and large sizes. With 10 weights (plus italics), there are multiple options to fit the need—black and thin for extreme uses and intermediates for more common needs. It’s clean nature allows it to be readable at small sizes, but the touch of character—as seen in the notched joints (like the n and u), rounded details (like the l and t), and horizontal/vertical terminals (like the a and e)—make it interesting at large, display sizes.
Config Rounded includes lots of OpenType features, as well as symbols to enhance your typography:
• Multiple stylistic alternates (8 stylistic sets)
• Standard and discretionary ligatures
• Case-sensitive punctuation for All Caps
• Tabular figures
• Fractions, numerators, denominators
• Superscript, subscript
• Slashed zero
• Arrows, circled numbers, geometric shapes
With over 600 glyphs, this font has extensive Latin language support (100+ Latin languages) for Western, Central, and South Eastern European.
Bega is a simplified sans serif typeface. Formal reduction plays a strong role in its design. This is most visible in its ‘spurlessness.’ The visible strokes (or spurs) have been eliminated from the letterforms that would typically feature them. The lack of spurs in Bega is most-clearly visible when you look at the top-left corners of letters like ‘m’, ‘n’, and ‘r’. The Bega family includes eight weights, which range from Thin through Black. Each weight has two fonts on offer: An upright font, and an italic. Bega’s italics are obliques; their letterforms are slanted. The strokes of Bega’s letterforms all appear to be monolinear; that doesn’t mean that Bega is without contrast, however. Thanks to the family’s large number of weights – eight really is a lot – you can combine two or more of them with each other to create headlines that exhibit quite a bit of contrast! Each of Bega’s fonts includes a full range of numerators and denominators, to use when typesetting fractions, etc. The font’s numerals are proportional lining figures; these have the same height as Bega’s uppercase letters. The lowercase letters’ ascenders are tall, and they rise up above the tops of the capital letters and numerals. Bega’s friendly look makes it an ideal choice for use in corporate communication design. The typeface was designed by Sabina Chipară and Diana Ovezea.