Displace 2.0 is a display sans-serif font family. Displace 2.0 is a humanistic sans-serif based on the calligraphic shapes with a pronounced handwriting contrast and open forms typeface. It has a natural thick-thin swelling and shrinking of the strokes as if it were draw calligraphicaly. Displace font family includes five weights: Light, Regular, Medium, Bold and Black. Try it!
Two times awarded on Bienal Tipos Latinos 2012 and 2014, Radal is one of the most expected releases for all those who know well the latin american type scene. Inspired by the capricious and temperamental southern Chile geography and the beauty of its landscapes Sergio Leiva develops an expressionist typeface with a very humanist feeling, taking its Czechs and Venetian references a step further by creating an unpredictable mix of forms and proportions which later craft almost to domestication in order to fulfil its purpose of developing an expressionist non disruptive text typeface.
Radal looks extremely well balanced in long text settings at the time that embellish the page with a scent of calm wilderness. On display use, shines on its irregular nature plenty of unexpected forms and counter forms. The Radal family is composed by 7 styles plus matching italics and a set of over 1400 glyphs (1600 on italics) full of ligatures, alternates, swashes, ornaments, small caps, symbols and a complete arsenal of typographic resources for your delight.
Amarone is a spiky calligraphic display typeface with some old fashioned flavour. It was designed by Carl Crossgrove, and includes an extensive set of swash caps which allow for extra drama where needed.
Crossgrove wrote each of Amarone’s letters by hand using pen and rough paper, and has retained some of this visual texture in the final digital design. The typeface works well at small sizes, but when used at larger sizes this texture comes to the fore. Amarone’s elegant, formal character can be modified with its swash caps, which allow the typeface to move from prim and ordered to wildly expressive.
Amarone lends itself well to packaging, posters and editorial usage – or in any environment where designers need to evoke times gone by.
The Amarone font features an extensive character set with support for over 130 languages, and a range of OpenType typographic features including ligatures, initial and terminal forms, figures, fractions and swashes.
Qualion Text™ is a modern geometric sans serif typeface with humanist and calligraphic inspirations. It is a text family designed for excellent legibility.
Qualion Text™ is a sibling of Qualion™, geometric family with lots of swashes and ornaments. Letter shapes and proportions has been adjusted to fit paragraph text and small sizes:
- typeface is narrower now in order to fit more text in the design space
- larger stroke contrast
- pronounced ink traps and tapering
- elegant true italics made even more calligraphic
- adjusted spacing and kerning
- adjusted font weights
The main purpose of the family is clean and legible paragraph text, however it is very attractive choice for branding, headlines and display use, too. The italic styles as well as thin, bold and black upright styles have very strong character and look great in display sizes. Italics are very fluent, calligraphic, subtle and elegant, from the other side bold and black uprigths are very modern, powerful and unique thanks to the pronounced ink traps.
Qualion Text™ family consists of 20 styles - 10 weights with corresponding true italics. Both have extended language support, as well as broad number of OpenType features, such as small caps, case sensitive forms, standard and discretionary ligatures, swashes, stylistic sets, contextual alternates, lining, oldstyle, tabular and small cap figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.
Spencer is a calligraphic semi-serif type family that has been carefully designed to provide easily distinguishable letterforms that are practical in use, as well as aesthetically appealing. It’s natural and organic forms comes from a deep consideration of the efficiency of the visible word and provides the typeface with a distinct and unique voice.
Named after Herbert Spencer, an educator and researcher of legibility at the Royal College of Art in the sixties and seventies, and influenced by other early typographers and legibility researchers, such as Walter Tracy and John Harris. Spencer was designed as part of a legibility study by Sofie Beier and Kevin Larson.
Meet my new signature script Hamilton!
Hamilton includes full set of lovely uppercase and lowercase letters, multilingual symbols, numerals and punctuation. This is so perfect for invitations, monograms etc
What’s Included:
Hamilton Script OTF / TTF
Multilingual support
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The early Twentieth Century was a golden age for cinema, and for the artists who lettered the iconic title sequences. Stanffords Family evokes the soul of this vintage brush lettering with a modern twist. Its main characteristics are bouncy baseline, round forms. These qualities give Stanffords its casual, friendly and handmade looks. The font family is characterized by excellent legibility in both - web & print design areas, well-finished calligraphic designs, optimized kerning etc. Stanffords Family include 5 fonts: Stanffords, Stanffords Bright, Stanffords Sans and Stanffords Ornaments and Stanffords Bright Ornaments (sets of 86 ornaments) to combine and give options to your typographic elements and designs. Stanffords is a very versatile script font: it includes initial forms, and a generous complement of alternate characters, ligatures and ornaments, creating a genuine connecting hand-painted look in dynamic OpenType format. You have a lot of options to customize it and that makes it perfect for logos, packages, titles, food packaging, t-shirts, blogs, photo books, wedding and invitation stationery and for everything you think necessary ... You get the idea!
Although Milas Typeface Family is designed upon the old style geometric – based characters, particular importance is given to text flow and optical perception in its practical use. Hence, there is no strict adherence to any set measures or styles.
It alludes to calligraphic horizontal and vertical intersection points. Calligraphic features in joints and arches are stylized.
Milas is a “body text” font especially suitable for periodicals such as newspapers and magazines as well as books. Different angles, sharp–organic features and serifs used in its letter anatomy enable the reader to perceive individual letters effectively and maintain a rapid flow in processing the text.
Milas has two styles as Text and Display, also has five weights. It contains rich opentype features. It is a suitable body and display typeface for book composing and periodicals like newspapers, magazines. Also Milas is an awarded typeface. It got 36th The Best Typeface Prize by GMK (Turkish Graphic Designers Association) in 2017 Exhibition/Competition. But Milas got the award with “Olba” name. After that its name had changed because of the name similarity. And here it is: Milas.
Enticing Script is a clean, modern and versatile script face that was
designed specifically for packaging design but will fit in just about
anywhere.
It comes complete with many alternates for the upper and lower case and
plenty of opentype features to explore. Stylistic Set 01 gives you a
slightly more sophisticated look with a loopy lowercase l, an alternate
lowercase r and more. Turn on the swash feature and you get fun little
swashes on the lowercase that were expertly programmed not to trigger
all at once but instead to appear at just the right moment and work in
harmony with surrounding characters. Contextual alternates will create
starts and endings where necessary. Ligatures are also included.
Language support is broad and extends to the Central European market.
There are exactly 770 characters in this typeface.