The Bernound is an amazing typeface which comes in three weights. The clean weight comes with rounded corners and a slim shape that presents a minimalist impression. The outlined weight has a fancy feel when displayed on its own, and the rough weight has a vintage, rustic, and grunge look. All weights can be combined perfectly which gives you the opportunity to create endless unique designs with just this one download.
Fountaine script is a new and fresh font script that comes with two styles of clean and rough style. so this font can provide an alternative, new sensation and vintage feel for the designer or craftsman, in working on various projects.
This font is perfect for all your project like the wedding invitation, greeting cards, branding materials, business cards, quotes, posters, insignia, badge, greeting cards, vintage logo, or you can use this font for various logo project (logotype) and more!
Fountaine script come with 325 glyphs totally. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA Unicode (specially coded fonts). so that all the alternate characters can easily be fully accessed by a craftsman or designer through either Windows or Mac computer without any requirement for fancy design software.
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Pilar and Ferran based Arlette on the fast stroke of one letter from a Roger Excoffon family, but along the way they abandoned that starting point in favour of experimentation. Many sans serifs are like a svelte black dress: functional, beautiful, and the unfussy outfit for a nice evening get together. The Arlette family isn’t like this. It’s a stunner — an incandescent reimagining of what defines a sans and how it can look.
Arlette explores the boundaries of the sans serif landscape and returns with forms developed from gestural vigour. Thinking of it as “painterly” may at first seem to fit, but it underestimates Arlette’s ability to master an unseen world of countless emotions and physical applications: magazines, branding, editorial, teen and young adult works, book covers, and a host of products and packaging whose content will be amplified with Arlette’s voice. Not only does Arlette use its eight weights plus italics to speak in Latin-based scripts, it is also fluent in Thai and has six weights (hairline through bold) with which it meets that challenge, whether in text or display.
Arlette Thai’s modern nature is seen in two features for the script. One is the decorative Thai characters that are based on original palm leaf manuscripts. Another is a version of the Latin numerals adapted to the height of the script due to their wide use in Thailand. Arlette Thai has been meticulously developed, including contextual kerning to avoid mark clashes.
Arlette’s OpenType capabilities include mathematic and scientific figures, positional forms, pointers, arrows, and oldstyle, lining, and tabular lining numerals. In addition to all this, it’s packed with swashes and swash ligatures in both scripts for enthusiastic typesetting. Because it pushes experimentation without compromising readability, both Arlette Thai and Latin are surprisingly legible in small sizes and arrestingly beautiful when their details can be seen.
Ekster is a geometric sans serif typeface from the Parisian designer Ilya Naumoff. Many of its letters are simplified; you’ll find several places in the typeface where the connection of bowls to stems isn’t fussy, for example, and horizontal strokes – like those in the ‘f’ and the ’t’ along the x-height – don’t bisect their letters’ main vertical stems (but populate the left-hand side only instead). Ekster’s lowercase ‘u’ is also symmetrical. The family includes a staggering number of weights – eight in total, and these range from Thin through Black. Each weight has both an upright font and an oblique-style italic on offer. The letterforms in all of the Ekster weights are drawn with virtually monolinear strokes. Ekster’s x-height is moderate, and the lowercase’s ascenders rise up to the same height as the capital letters and the numerals. However, the best feature of Ekster’s fonts is the large number of alternates that they contain. Ekster includes alternate forms for almost every lowercase letter, and some even have more than one alternate available – like the ‘a’, ‘e’, and ‘r’. Ekster is an excellent choice for use in both corporate design and editorial design projects, both because of its range of font weights and styles as well as because of its legibility in text.
Neometric is a contemporary sans serif that is built from a geometric foundation but with a more natural approach to the heavier weights creating an enhanced visual approach throughout. The standard version features sharp apex tops on the N & M characters creating a unique and powerful look that would be the perfect font for branding, digital or offline treatments.
Neometric features extensive European language support as well as basic Cyrillic to add to the flexibility and useability for big brands and small companies alike.
The font is made up of 36 styles, including two subtle design variations each featuring 9 weights plus matching italics.