Marwa is An Arabic typeface for Print And screen.
This font family is from Kufi style and contains 3 weights: Regular, Medium and bold. Marwa is simple and a little detailed font and its three weights are fully harmonized, one letter with one length on the line, and words with a uniform length on the line, gives a comfortable reading look.
Indikator is a family of humanist-style sans serif fonts. There are five weights in the Indicator family; these range from Light through Bold. Each weight has both an upright as well as an italic font on offer. The italic fonts contain slanted, or oblique-style letters. The letters in each of Indikator’s weights appear virtually monolinear, in terms of stoke contrast. Strokes end in either horizontal or vertical cuts, rather than in diagonals. The fonts have a large x-height, and the lowercase letters’ ascenders are taller than the heights of the capital letters. Indikator’s numerals are tabular lining figures; these are just as tall as the fonts’ uppercase. The fonts’ OpenType features include alternate forms for the ‘I’, ‘J’, ‘4’, ‘i’, and ‘l’ – as well as a more Scandinavian version of the ‘Å’. There is also an alternate version of the zero, with a slash running through its counter. Indikator had a lot of character and verve than many other humanist sans serif families. It feels a little ‘old-timey,’ like it is channeling design ideas from the first half of the twentieth century, rather today’s Silicon-Valley-style designs. Indikator is an excellent selection for use in corporate communication or editorial design work. It will surely also come to good use in publications about contemporary culture and lifestyle issues. Indikator is the work of Frode Helland, a type designer from Norway.
Steal the spotlight with Senlot. A high contrast sans serif, Senlot’s figure is perfect for enrapturing your audience. The font shows off a unique calligraphic stress, which--with the contrast--makes the face quite usable in luxury and high quality design work.
The gorgeous appearance of Senlot is accompanied by a complete set of small capitals and a true italic. Dress your text in any of nine separate styles from Thin to Bold. Senlot also holds a full set of OpenType features, including titling capitals, superscripts and subscripts, and oldstyle figures and has an extended Latin cover with span for over 72 languages.
A special thanks to Lucas Azevedo and ikern for production assistance on Senlot. Let Senlot’s beauty and simplicity carry the stage on your new text or webpage.
TT Firs Neue is a contemporary reincarnation of the good old Scandinavian TT Firs sans-serif. In the process of updating the old typeface, we realized that the number of innovations and the amount of work done definitely deserve a full-fledged new release, and thus TT Firs Neue has come to life.
What has changed? Everything, starting from the proportions of letters and ending with a new formula for the interpolation of weights! So, we changed the proportions of uppercase and lowercase characters; corrected the difference in weight between the letters in fonts of different weights. We changed the basic thicknesses of the strokes so that none of their 18 fonts would stand out with their weight and would be completed following a strict system. We created completely new Italics. And, of course, we made changes directly to the style of the typeface and its letters—the letters have become fresher and cleaner from the geometric point of view.
The most interesting change in the font is the significant extension of its scope. While the old type family was primarily focused on display matters—that is, very large short inscriptions, the new version implies active use of the typeface in the text and on the web. With all this, the font’s character has not been weakened, but has even gained some more strength. This can be perfectly seen in the radical extenders of the letters gltf, or in the super-display visual compensators for horizontal strokes in the bold weights of the typeface. Even though the standard display of TT Firs Neue has become brighter and more audacious, you can always calm it down a little by simply turning on stylistic alternates.
And that is not all! And how about small capitals, and other OpenType features, you ask? In TT Firs Neue, you will find small caps (for Latin and Cyrillic alphabets) and a set of stylistic alternates. In addition to the “standard ligatures”, in TT Firs Neue you can find a large number of original ligatures (30 items) for capital letters, which cover popular two- and three-letter high-frequency combinations from Scandinavian languages. In addition, to support the linguistic features of Scandinavian countries, we prepared a set of capital letters with pinned-down diacritics (including their small capital versions). To access this function, you need to use the calt feature (contextual alternates), or enable the second stylistic set (ss02) in InDesign. And that’s not all, there are a lot of useful features in TT Firs Neue, such as: ordn, case, c2sc, smcp, ccmp, frac, sinf, sups, numr, dnom, tnum, onum, lnum, pnum, dlig, liga , salt (ss01), ss02, locl, calt.
Fortezza is a family of fonts inspired by the great masters who have created the Modern Roman style: Firmin Didot (1764 -1836) and Giambattista Bodoni (1740 -1813)
Both typefaces can be similar, but a trained and close vision, show clear differences in the final result, like its weight and the degree of transition of the strokes. The type of Didot suggests greater warmth and elegance, they are characterized by extreme contrast in thick strokes and thin strokes, by the use of serifs very thin and by the vertical stress of the letters. while the Bodoni type conveys a greater robustness and hardness.
Fortezza brings together the elegance and spirit of both types, but proposes a contemporary vision, establishing a distance with certain features typical of the baroque that was manifested at that time.
Treadstone gives a modern twist on the athletic, college style font. This font family includes versions with rounded edges, rough edges and grunge effects, each of which has its own character and charm. Treadstone works great for headlines, titles and logos.
Mezalia is a one of a kind typeface. Its shapes were strongly influenced by bastarda scripts of high medieval times. Unlike most fonts sharing similar origin, Mezalia is not just another blackletter but a fully functional text typeface, blending medieval poise and character with modern sensibilities. Stroke widths, imitating a broad nibbed pen of a scribe, fluctuate constantly giving paragraphs a characteristic vibrating texture. Despite it’s strong character Mezalia is very legible and will be an excellent choice for a book or an elegant magazine.
Mezalia has two distinct styles: straight and cursive (true italic if you will, although the word is not really correct here), which come in seven weights, from thin to black. Each weight contains a set of old-style figures, lining figures, small caps and ligatures. A separate style containing drop-cap initials is also available.
+++ 30 styles +++ 5 weights +++ Italics +++ Alternates +++ Small caps +++ Fractions +++ Subscript +++ Superscript +++ Numerator +++ Denominator +++ Old style figures +++ Tabular figures +++ Alternates +++ ff-Ligatures
The best thing about Umba is its surprise!
UMBA Soft is a mellow sans serif typeface designed by Anita Jürgeleit. It soothes your design and helps to create to balance your visualization. Do you need a type for young cosmetics or other youth-related products? Take a look at Umba Sans! Your creation should be soft and gentle and you need a suitable font? Something that should be cuddly, sweet and soft but a serious type family that covers all your concerns? Umba Soft is your match! Your typographic composition will improve with your new favourite font.
Thirty styles from thin to bold and matching italics helps you to create an highly appealing design product. Alternates and small caps are accessible in separate styles. There is no need for any special software to use them. The styles will appear in your font menu to make sure you stay aware of the many possibilities that your new font offers.
Would you like to see more examples of how UMBA improves your design or you want some customizing? Let’s get in touch!
Instagram @anitajuergeleit +++ Facebook AnitaJuergeleitTypefaces +++ www.anitajuergeleit.de
Please welcome a new brush written font family of four. Charged with positivity, this playful family is loaded with alternates, ligatures and swirls-n-swashes. It is an ideal companion in creating all sort of greeting cards, t-shirt designs, packaging design, branding etc. Design Elements includes a variety of Christmas and winter holidays related elements (check preview images!). All fonts are fully unicode mapped and you can select the glyphs you need using either your application’s glyphs panel or a standard software that comes with Windows/Mac - CharactersMap/FontBook.
Hope you enjoy using this hand-lettered font family as much as I enjoyed creating it!
Hermann is one of our most readable typefaces so far. Since last year, the W Design team had been examining closely the possibility of developing a text font. Thus, we dug into concepts within some of our favorite novels, such as The Steppenwolf and Brave New World, written by Hermann Hesse and Aldous Huxley respectively. Ideas like duality, surrealism, and wildness mainly appeared. With these concepts in mind, we analyzed carefully the typefaces used in both Hesse’s and Huxley’s creations; Sabon and Garamond showed up catching our attention and, of course, awakening our admiration. Consequently, the challenge was to combine the key features of these fonts with the concepts already identified. At first, we made a text font which was suitable to compose long texts. However, we realized that we needed to refine some characteristics to convey all the ideas. A full set of capital discretionary ligatures was designed, which convert Hermann in a display font when is required. We also designed swashes (from A-Z) and final forms (in letters h, k, m, n, r and x in romans, and in letters a, d, e, h, i, l, m, n, r, t, u, x and z in italics), conveying more dynamism and versatility when it comes to composing visually.
Hermann was designed not only to be accurate in terms of legibility but also to be wild and bold. That is why we took a big leap and designed from the beginning a font that is inspired by the world of 20th-century novels, using the name of one of its greatest exponents, Hermann Hesse.
Époque initially came from composing a fashion catalogue with some materials from the Brazilian Amazon. The pieces of the collection used natural caoutchouc as raw material and the design of capital letters use forms that refer to the typography of the historical period 1890 - 1910 in which caoutchouc was the main driving force of the Amazonian economy. This typeface has a complete set of numerals, a set of standard ligatures, in addition to alternates in specific glyphs and a large set of discretionary ligatures composed mainly for UPPERCASE. Époque family is comprised of four weights without italics. It’s a typeface recommended for titles, logos, and posters.
Although Milas Typeface Family is designed upon the old style geometric – based characters, particular importance is given to text flow and optical perception in its practical use. Hence, there is no strict adherence to any set measures or styles.
It alludes to calligraphic horizontal and vertical intersection points. Calligraphic features in joints and arches are stylized.
Milas is a “body text” font especially suitable for periodicals such as newspapers and magazines as well as books. Different angles, sharp–organic features and serifs used in its letter anatomy enable the reader to perceive individual letters effectively and maintain a rapid flow in processing the text.
Milas has two styles as Text and Display, also has five weights. It contains rich opentype features. It is a suitable body and display typeface for book composing and periodicals like newspapers, magazines. Also Milas is an awarded typeface. It got 36th The Best Typeface Prize by GMK (Turkish Graphic Designers Association) in 2017 Exhibition/Competition. But Milas got the award with “Olba” name. After that its name had changed because of the name similarity. And here it is: Milas.
strokeWeight is inspired by the aesthetics of computer vector graphics. strokeWeight is the name of a processing programming function to set the thickness of a stroke. The single bezier curve that describes a stem as a centerline with a particular stem thickness represents the basic idea of this typeface. The unconventional corners and stem endings derive from the concept.
If you buy the complete strokeWeight family you will get a strokeWeight variable font file for free!