The most modern gothic. Query was born out of a lineage of experimentation and developing a voice within type.
I wanted this typeface to have a strong personality but also give room for legibility.
The typeface was inspired from people like Karl Heinz, to Hamiltons Class L fonts, and even civil rights posters from 1968.
My original intent was to make a single font that transformed the spirit of woodtype, but done in my voice today.
More As I continued to refine the work, I made sure that the personality, tone and voice was still there.
I also refined Query so that when used for display or text, it was legible but still unique to anything I have seen.
When I was approaching the end of the black weight, I saw that more weights needed to happen.
I included over 400 glyphs that support many languages and also included three levels of stylistic sets for extra use.
Query is as fun to use as it is to look at.
I wanted this typeface to have a strong personality but also give room for legibility.
The typeface was inspired from people like Karl Heinz, to Hamiltons Class L fonts, and even civil rights posters from 1968.
My original intent was to make a single font that transformed the spirit of woodtype, but done in my voice today.
More As I continued to refine the work, I made sure that the personality, tone and voice was still there.
I also refined Query so that when used for display or text, it was legible but still unique to anything I have seen.
When I was approaching the end of the black weight, I saw that more weights needed to happen.
I included over 400 glyphs that support many languages and also included three levels of stylistic sets for extra use.
Query is as fun to use as it is to look at.
